Thursday, January 28
Friday, January 22
Monday, January 18
Kenne originally began his musician career with the mighty Gizmos in Bloomington, Indiana. He settled in Boston end of the 70's and started to lead numerous bands as AfriKa Korps, Hoplessly Obscure and at the beginning of this century a collaboration with Jody Moore.
Together they did Highland-Moore which has been brought back to life last year, the Kenne Highland Clan and the Goody Goody Gumdrops about which I will talk a bit later as Jody has kindly participated to this interview as well. Kenne, as the genuine artist he is, has sort of advertized on the internet this interview to come. I am copying below his words as it will be our introduction. but first a recent video of our friends in action
Jacques B has wrote from
,wants to interview me for a Jon Richman fanzine; I said oui cause I got Hugenot ancestors born in Strasborg. Extra points for Les Variations question,mon ami....let me think out each answer to give you a timeless tale. wow-I was a 15 year old fanzine writer...('72!)....any other fanzine...s,please contact me,I ain't oasis ("don't wanna live forever"....). My parents were eighth cousins (founders of hartford,Conn.) plus,when,at age 13, I first listened to "We're Only In It For The Garlic" , I loved it so much,I played it AGAIN! Zappa and Paris Highland, born only an hour or so apart on Route 95, below the Mason-Dixon line.....lastly,my mother's ancestors SURELY knew the Reverend Pynchon! Springfield, Mass.
Wired on three cups of coffee, M. Jacques got a Keroaucian blast of Kennethen on Jonathon!
to Comm! this is a reference to "Back to Comm" from the MC5, one of Kenne's favourite bands- My great-grandmother Moore Highland's grandmother was a Gardiner (as in museum AND island off Long Island);Ancestry.com say she has a Hugenot ancestor,Reverend Hugh Mosier,born Strasbourgh,came to 1600s. Wait'll I write my piece on how the ... revocation of the Edict of Newport, RI shaped rocknroll! (Highland/Keith Richards mom/Eno and mine ancestor escaped from Hainault on horseback after being captured twice,then lived on Threadneedle street,London....).. nantes
- Did you see the Original Modern Lovers live ? If so how was it ?
The original Modern Lovers, I guess, existed whilst I were high in school; class of '74,
;I skipped school, went to House of Guitars and met a fellow 18 year old: Greg Prevost! -later in the Chesterfield Kings- Brockport, NY
- What was the first Jonathan song you ever heard, what was your reaction ?
So Jonathon and I were both copying Lou Reed oblivious to each other. January 1976 (Gizmos recorded 20 March) or so, Beserkly Chartbusters came to the Gulcher office. I think we all dug on "Roadrunner";I immediately noticed the chord solo was similar to Buddy Holly's "Peggy Sue"! and Beechnuts "Cycle Annie" also.You didn't have to be a Jimmy Page virtuoso on guitar to rock!
So I start visiting
in 1977;21 August Afrika Korps Live At Cantones! Rich Coffee has a photo of a drunk me, Felice and JoJo! So I met him? Come up Labour Day, Real Kids and friends live at Cantone's, Jonathon does a bunch of love ballads, which at the time I hated! I wanted that dark, broody Velvet thang; but he always followed his own path, like me, so I respect that Boston . Moore
- You told me you saw Jonathan Richman live quite a time ago, what did you think of it ?Kenne with moustached Jonathan and Asa.
Then second Afrika Korps gig, Cantone's with Baby's Arm in November '77. Jon gets up with Billy Cole and kinda takes over Frank Rowe's set, but he starts playing ostrich guitar and I see "Roadrunner" live!
1980 I move to Boston, commence work in Harvard Square, run into Jon and Asa Brebner on my lunch hour a LOT (near ye olde market my Puritan ancestors went to in 1630s).Once Jon was over Frank Rowe's, Frank played Iggy's Soldier (a NEW album then) and me, Frank, Jon jam in the kitchen; me unplugged Fender, Jon-acoustic; Frank-a child's xylophone! "Rawhide" and "It's All Over Now";as usual, I drunkenly led the jam! Lastly, I was in a Harvard Square place now gone, served Texas Toast and Jon said, excitedly, "is that Ken?!" ain't seen him since!(1981?)
- Do you think Jonathan had an influence on the
Boston music scene has changed TOO much for me and it's not like years ago and I AM old and cranky.....thinking back on the "golden years",everyone was influenced by and knew who Iggy and Lou were, so Jon just kind of fit in with the whole '70s scene. Nowadays, I can't even tell you What Is Hip? either I gig, or see my "old" friends, and that's it (and they die off TOO often, sadly).
But Jonathon and I are both so divorced from what's happening, that we'll always be "originals" and he will continue to do his thing and I shall continue to do mine. Is that an iconoclast? Sorry, English is my first language! (haha; my great-great-great-grandmother Sophie LeDuc Veilleux was the last one to speak Quebecois and she died in 1899!)
- Your music has evolved through the years from the Gizmos, punk band extraordinaire, to the Afrika Korps, Johnny and the Jumper Cables (we are all waiting for some re-issues) and the Kenne Highland Clan and so on.. Here is one of the 1st step of Kenne's resurection in rock music...
Today your music in Highland
From my DEVOlution of GizMOORES to Highland
The 2009 reunion !
JODY MOORE- Kenne, aka; Mr. Charming, and I reconnected on MySpace in ‘07 and phone calls ensued. He told me he’d been findin’ joy playin’ the Lord’s music on Sunday’s, and goin down South, driving all the folks crazee with his fine roots pickin‘. There was always something magical when we did the George Jones/ Tammy Wynette thang so we crossed the Mason Dixon line 2 more times (and crossed back again), stopping in at Garlic’s Happy Room and Slickee Boy Marshall’s house to lay down some trax. Highland Moore was birthed.
Our HIStory began 20 yrs. ago when I videotaped Kenne in the Jumper Cables at the
Here I have to tell the reader about the Goody Goody Gumdrops, the ultimate Boston power pop band ! GGG were Sugar Kane (aka Jody) and Kandy Kane and they joined the Kenne Highland Clan (Walking Kane (aka Kenne), Nova Kane, Killer Kane). This Combo was the 21st century Shangri La's ...
They released an EP which is as crucial as the Shaggs LP "Philosophy of the world". There is in particular one song "Guys are not proud" which is just classic stuff a la Bonzo dog Doo Dah Band. This genuine piece of existensialism is emphasized by Jody's singing those of us who have heard it know..!! Voila.
Goody Goody Gumdrops live with the Kenne Highland Clan (Jody and Kenne front right).
JODY MOORE- Aaah. Shameless self promotion. Push my product!
- Jonathan eventually went solo with Tommy his drummer, what do you think of this similarity?
I dunno, Jonathon wanted to be the Rockabilly Yobs? (that's me and Eddie Flowers, YEARS before Flat DuoJets, March '76, it's on Gulcher plus an Italian release). Jonathon and I are both kinda rooted in the '50s,only I'm I/IV/V and he's I/Vi/IV/V....that extra chord makes a difference!
- What do you think of Jonathan style of music today ?
Jonathon's style of music today?: I Live In A Time Of My Own. (-reference to a Roky Erickson song for the 13th Floor Elevators)...Ronald Reagan was NEVER elected president, I never moved to
PO Box 300817
I remember gleefully checking the Gulcher p.o. box in 1975....what COOL fanzine was arriving?!
- What is your favourite Jonathan song and why ?
Favourite Jonathon song: #1, I'll be honest and those that know me (haha)...I'm too CHEAP to have ever bought any Jon records, though I KNOW he and I owned the same Velvets records. So, keeping all that in mind (and I think the Lou influence permeates both Gizmos and Modern Lovers, so we were more similar then...),folks have played me that black Modern Lovers album and Prime Movers used to do a GREAT cover of "She Cracked" about 1983....so count me in as "She Cracked"/first lp PLUS I have a soft spot for Beserkly Chartbusters (age 19,pre-Gizmos etc.).....
- If you were considering covering a Jonathan song which one would that be ?
covering Jon: I played along with EVERY song on Chartbusters in those pre-Gizmos days (do I REALLY know Greg Kihn songs? and the chords to Earthquake?), so I like "Roadrunner"'s "Peggy Sue"-ish guitar solo and the chord progression to "new Teller".....yes, I WILL confess I check out the bank teller babes and that damn song goes through my head! Ditto, when walking through
- As an insider could you tell us about the
ok, now for my spiel on
I first came to town when Live at The Rat was released, so, in the end, THOSE are my favourite bands, it's never gonna be the same, when I was 21, it was a VERY good year! (1977).
Jeff Connolly (lyres)- John Felice (Real Kids) - Kenne circa 1996 (photo by Linda Garrow-Highland)
So I usually end up on Neon Night at the Cantab with said "old" friends, that are still living, still playing what we always do. Billy Borgioli has got a GREAT new lineup of Varmints, Classic Ruins are still good after all these years, Last Ones still sound like Cantone's in 1981; dunno what's up with Willie/Felice/Monoman lately, been a while since I seen 'em.
New bands: The Brooklyns! Maureen Kavanuagh is a GREAT songwriter, I guess she's "alt-country",so I sit in with them pretty often on "roots" covers like Lucinda Williams etc. playing half blues/half country, like Keith/Skynyrd and the rest. Alt-country bands I've enjoyed that we played with: Highway Ghosts, Clydesdale Cowboys; Natalie Flanagan sounds like Neil Young with Crazy Horse! All good stuff.
Let me also mention James Straight and the Kozmetics, which is James Straight, couple Slow Children guys and Lou Miami's drummer doing old James Straight garage Bowie) and Lou Miami covers; a lot of glam and a lot of fun!
Other than that, I'm either readin', watchin' films or sleepin', so I don't go clubbing unless I have to, mainly, do I have a gig. YouTube has plenty of Kenne appearances with me with Slickee Boys/Doom Buggies, I can't remember who else, but, unfortunately, I AM easy....you want me at your gig, all you gotta do is say "hey, Kenne, wanna sit in?" (Stones covers with Corolla DeVille: wow!) and mostly I do show up unless I'm in the emergency room and even then I finish the show and THEN go to the hospital!
(Mrs. Moore can vouch for that! See blood stains on TV studio carpet in Mantis’ YouTube video!)
I just remembered a Jonathon influence on ME: RIGHT when we started the Gizmos (5 Dec 75-20 Mar 76),I read somewhere how Jonathon would change the set around ONSTAGE during the set; only one other way of improv that I've seen that and that's playing gospel/jazz/blues. So maybe I will apologise to ANYONE who's ever shared the stage with me and I fly off into a song NOT on the set list....it's all Jonathon's fault, he's a bad influence on me! Please insert Jody Moore comments ...she has been my biggest victim!
JODY MOORE- Jammin’ with Kenne is better than a blind-folded roller coaster ride through rock history paradise! Just sometimes I get dizzy!
MJ Quirk ( bass player extraordinaire who backed Kenne in many of his bands) usually hits the ball from whatever direction I'm coming from; ala Blind Owl following John Lee Hooker on Hooker-n-Heat! - (reference to Alan Wilson -aka Blind Owl- from Canned Heat who managed to anticiapate every twisted lick of JL Hooker)-.
- This is a bit off topics but knowing you were friends with Stiv Bator I cannot resist asking you if you would like to comment on that much missed artist.
Gizmos live in
I got married 20 August and word has it Stiv said "Kenne Gizmo; another one bites the dust" (marriage=death), but truth is, I never had any contact with Stiv! When Cheetah moved here in '85,we had plenty of musical misadventures that I cherish, jammin' with him and stuff (we did "All this and more" and I'd copied his playing so much that the Chuck Berry riff on the chorus I did and he goes "you gonna let me play my lead or what?"-good-natured, it wasn't Keith vs. Chuck
So, I saw Stiv live, he was very Iggy-ish, listened to his records, influenced by them, and then he died, sadly......
- This is for the French readers, I remember you told me that back in
ok,pour moi francois amis,my Les Variations story: but first,go to Gulcher records,buy Gulcher magazine #0, (MC5 on cover) and there is me as 19-year old interviewing Marc Tobaly.There IS some French-bashing,but i got that from my mother trying to cover up her Quebecois roots! (cf. Hitler with Jewish grandparent;you are what you hate).
Tom Bingham had reviewed Les Variations for WIUS Tipsheet and I was intrigued by the neo-Yardbirds/Mediteranean riffing;I then probably stole a promo copy of Buddah of "Morocan Roll",
loved the North African intro (DNA tests COULD prove some ancestry there on MY part,so look out!),and thought the vocal sounded like Roy Wood.
ok,that was home with Ma (Rock On!,
So Aerosmith got jealous and turned on the lights before Les set was over! I still laugh over the road manager's Gallic temper: "those dirty fookers! They turned on the lights during our set!" I introduced myself,referring to a Lester Bangs writeup in a 1975 Creem and road manager says,NICELY (this is the classic French temper of being pissed off one second and calm the next!): "oh you know Les-tair?!" I wouldn't meet Monsieur Bangs til 5 years later,but THEN all went well.
Marc Tobaly spoke the best English so it was me,him and a tape recorder; I got a history of the band, they used to do lotsa Young Rascals toons (how else did "Come on Up" end up on Be More Flamboyant?) and another French stereotype (sorry, mes amis; Dad has Hugenot and Ma has Quebecois,so I can say all this!); refering to groupies and playing all over Europe, Marc gives the classic Gallic shrug: "you know,you throw your deek into the air and it fall into a hole"......a year old I had done MY first record and I was Muff-Divin' like a madman!(only time I'm quiet).
When writing up the article,Bob Richert,editor,had me call Les V.'s NY office collect and they kindly looked for 45s in the office to help me with the discography (I'm a Goldmine kinda guy).
After talking to Marc, Steven Tyler pushed me out of his dressing room saying "I already talked to you guys!",but somehow we interviewed Tom "hohum" Hamilton;all I got out of him was "Sweet Emotion" was stolen from Stones "We Love You".
So THAT is the story 35 years later,but if you want it fresher,buy Gulcher #0!
Are you a Fender or a Gibson guy ?
Christmas 1970, my mother bought me a $9 Sears acoustic ("biggest mistake I ever made"; she WAS rather
Aunt Mimi-ish!), all I wanted to do in 1971 was get a harmonica rack (made of coat hanger) and "Freight Train Blues"off the first Dylan album and be the Freewheelin' Ken Highland (yes! borrowed Ma' lipstick to play slide;later used it when the Dolls came out!)
fall 1971-a $96 hollow-body Chuck Berry lookin' Japanese thang; totally into Who,
Small Faces,Stones and Chuck Berry.
fall 1972-$35 Japanese solid body from a kid down the road;played it through my
stereo and got a world of distortion,began writing Gizmos songs,did a fanzine,was
totally into Mark Farner.
When I moved to
May '75,had already joined O. Rex in NYC and Solomon Indiana
Spector talked me into buying a $95 blue Fender Mustang which I used on first
Gizmos; I swore by cheap Fenders then as Sonics used a Jazzmaster (?)
Fall '76,bought ANOTHER Mustang,recorded O.Rex and 1977 Gizmos eps and Live in
Bloomington,sold to Kim Kane,Slickee Boys;this is "Mr. Wank" because of it's trebly
April 1977 Solomon takes my tax refund and spends $200 on a Gibson Melody Maker;
TOTALLY Black Sabbath through a pignose (OR "She's My Best Bette"!)
These days,Tom "I got high with Carmine Appice behind the Rat" Leger drums with
me,bringing either a Gibson SG or a Mexican Fender. My playing sounds like 1970
classic rock now (sorry!),so I hit a lot of Townshend chords on the SG or some Paul
Kosoff/Leslie West/Gary Rossington. The Fender I morp into Hendrix/Cream stuff.
I been playing 39 years now-but whenever I play a Lucinda Williams cover with
Brooklyns,I still don't QUITE have Mike Bloomfield's biting leads on "Maggie's Farm"
at Newport.....guess that's why Pete Seeger never tries to cut my power......
Any anecdote related to Jonathan or to the golden age of
Finishing with anecdotes: 1982,Real Kids Cantone's (summer), Alpo sees me and goes
"there's that crazy Marine that knows all our songs!"
Once I asked Felice,"you grew up next to Jon Richman;who's more wierder,him
JF: " you're the wierdest muthafucka I ever met!"
Another tyme on a drunken bender 'round Thanksgiving, I musta smelled like
GG Allin, I BRAGGED to John (in a bar) about how long it'd been since I bathed
(the EXACT number of days...):
"you're worse than Paulino", he shook his head and walked away; that's
My Buddy Felice!
Wednesday, January 13
(Crossposted to Backstage)
Saturday, January 9
Jonathan Richman at The Great American Music Hall in San Francisco, 6 December 2009 (Egyptian Reggae, Because Her Beauty is Raw and Wild, No One Was Like Vermeer)
I go to bakeries all day long–there's a lack of sweetness in my life
-- Jonathan Richman "Hospital"
Mark Eitzel on "Hospital" and seeing Jonathan Richman in an art gallery in San Francisco:
He is a world class songwriter and performer who chooses to make a moment for a few people in the doorway of a gallery. There are very few who can do this. He understands that a song is a dialogue. An exchange of gifts. The Dancer and the dance. The chicken and the egg. The moment of creation and the concrete monument to it. (read more)
Baby We Are Richman: A Tribute to Jonathan Richman to contribute to or to download (link)
2010 U.S. tour dates known so far:
As always, confirm with venue before making travel plans
Sun 24 Jan Denton TX (Rubber Gloves)
Mon 25 Jan Austin TX (Cactus Cafe)
Tue 26 Jan Austin TX (Cactus Cafe)
Wed 27 Jan Austin TX (The Continental Club)
Thur 28 Jan Austin TX (The Continental Club) (Izzy Cox opens)
Fri 29 Jan Houston TX (The Continental Club)
Sat 30 Jan New Orleans LA (One Eyed Jacks)
Sun 31 Jan Pensacola FL (Sluggo's)
Tue 2 Feb Orlando FL (The Social)
Wed 3 Feb Gainesville FL (Common Grounds)
Thu 4 Feb Jacksonville FL (Jack Rabbits)
Fri 5 Feb Atlanta GA (Star Bar)
Sat 6 Feb Athens GA (40 Watt Club)
Tue 9 Feb Carrboro NC (Cat's Cradle)
Wed 10 Feb Baltimore MD (8x10)
Fri 12 Feb Brooklyn NY (Music Hall of Williamsburg)
Sat 13 Feb Brooklyn NY (Music Hall of Williamsburg)
Sun 14 Feb Brooklyn NY (Music Hall of Williamsburg)
Tue 16 Feb Cambridge MA (Middle East Club Upstairs)
Wed 17 Feb Cambridge MA (Middle East Club Upstairs)
Thu 18 Feb Cambridge MA (Middle East Club Upstairs)
Fri 19 Feb Providence RI (Firehouse 13)
Sat 20 Feb Newark DE (East End Cafe)
Mon 22 Feb Louisville KY (Zanzabar)
Tue 23 Feb Louisville KY (Zanzabar)
Wed 24 Feb Nashville TN (The 5 Spot)
Thu 25 Feb Nashville TN (The 5 Spot)
Friday, January 8
Tuesday, January 5
Vic Chesnutt "In My Way Yes" from 2003's Silver Lake
I'm attempting to prepare a post about Vic Chesnutt. It's really hard because he was someone I loved in a way I can't explain. Jonathan Richman loved him too and you all must know by now they had a long-standing friendship of mutual respect and devotion. If you have any stories to contribute, or links to share, please let me know. Let's make this a celebration of Vic's art (and honor his personal privacy).
And also, please buy Vic Chesnutt's records.