
"I'm just beginning to live" by JR and the Moderns Lovers from "The Historic Debt" video (released in 1991) on youtube.


THE VIC CHESNUTT RECORD AND WHY ME AND TOMMY WANTED TO DO IT
JONATHAN: "My drummer Tommy Larkins and I were driving in the van across the United States as we do two or three times a year on our tours of clubs and I said, 'Y’ know, we should produce Vic’s next record!' And he said he thought so too. We both were thinking that the way to get the feeling for Vic as a listener was to hear just Vic – no arrangements, no guest guitar solo guys, no 'ironic' touches or anything else to cloud his voice or his poetry. His guitar playing is also the guitar playing on this recording because we think no help is needed."
"Tommy and I have toured with Vic several times and he’s long been one of our favorites. So we’re both proud of this record and glad for the chance to make it our way. A lot of it was brand new stuff - a few hours old or becoming a song right there as he sang."
VIC: "I’m honored to work with Jonathan Richman. Over the years he’s taken me under his wing and mentored me in a very meaningful way, truly shaping me into the songwriter and performer I am today. And it is an ongoing process.”

Lineup for YesterdayJ is for JohnsonThe Big Train in his primeWas so fast he could throwThree strikes at a time.--Ogden Nash
Walter “Big Train” Johnson was a right-handed pitcher for the Washington Senators of Major League Baseball between 1907 and 1927. Johnson established several pitching records during his twenty-year career, many of which remained unbroken for nearly a century.
Johnson’s legendary gentle nature is still held up today as an example of good sportsmanship and friendly competition. Only fellow Hall of Famer Ty Cobb – coincidentally a prime example of the antithesis of good sportsmanship -- seemed to take advantage of Johnson’s disposition. While most batters were concerned about being hit by Johnson's blazing fastball, and were reluctant to stand close to the plate while batting, Cobb realized that the good-hearted Johnson was privately nervous about the possibility of seriously injuring a batsman. Almost alone among his peers, Cobb would actually stand closer to the plate than usual when facing Johnson—unless it was an overcast day.
Well now when pitchers throw their pitch to scareThey actually try to almost hit that opposing playerWalter Johnson wouldn't do that not even just a little
He made sure he through the baseball right down the middle
And all through baseball he was loved and respected
Was there bitterness in Walter Johnson? Well it was never detected--Jonathan Richman


What a great little venue the Manchester Deaf Institute is! Much smaller and far more intimate than the usual place Jonathan plays in Manchester (Manchester Academy just a couple of minutes away down the road).
The show had been sold out for weeks, so me and Jan got there early and positioned ourselves pretty near the front, at about 10 feet away from the stage. By the time Jonathan and Tommy came on, pretty soon after 8.45, the place was packed with maybe 300 people seeming to fill every space possible. I was glad we’d sorted out our places early on as there didn’t seem much ability to change position within the tightly packed crowd.
Jonathan did quite a few new songs, one of them 'Keith Richards' went down really well and seemed to be a highlight of the night, as was the 'Cellphone Song' which Jonathan did soon after someone had called out for it as a request. I'll post the set list below.
At one point, towards the end of the show, Jonathan broke off mid song to sing something like...
"Folks in the audience, this is Jonathan asking a question to you...
I use no watch or program on the stage, so I've no idea how long we've been playing... but if we're getting boring for being too long, just let us know, Please do..."
The response was an emphatic "NO - keep on going!” and Jonathan and Tommy carried on for something like another 20 minutes. The audience would have happily had them stay for long - much longer!
Among the encores was a excellent 'off the cuff' classical guitar piece that Jonathan performed solo, Tommy had left the stage thinking the show was completely over, but there was one more song that Jonathan had thought of as an afterthought that he really wanted to play to close the show, so a couple of minutes later after Tommy had been found, the show ended with another new one ‘Mr Sorrow’.
I really enjoyed the whole night and, judging by the overheard comments around us on the way out, many other people were also heading home extremely happy too! A great show and one of my favourites!
Set list: -
1) Celestial
2) I Was Dancing In The Lesbian Bar
3) Her Beauty Is Raw And Wild
4) No One Was Like Vermeer
5) When We Refuse To Suffer
6) Let Her Go Into The Darkness
7) This Romance Will Be Different For Me
8) The Dark Crypt Like Arcade
9) Take Me To The Plaza
10) Not So Much To Be Loved As To Love
11) Keith Richards
12) Egyptian Reggae
13) A Que Venimos Sino A Caer
14) A Hard Time Saying Goodbye
15) You Can Have A Cellphone, But Not Me
16) Fender Stratocaster
17) Nishi
18) Classical Guitar Piece (?)
19) Mr Sorrow
Thomas sent me a couple of photos from Manchester show, and this great story:

So here's some words of advice if you're having trouble with which day you'll go. If you are an older fan who enjoys the slower songs and likes to sit
down during shows, go today. If you're a die hard fan like me and like the mix of newly hashed-out songs, the slow, and the upbeat, go on Monday. If you've seen him 5 or more times, go on Tuesday. If you've never seen him, or maybe once or twice, or your favorite song is "I Was Dancing In a Lesbian Bar
", go on Wednesday.
Or you could be like me and see him and Tommy every night.
Going every night? A girl after my own heart. Read the rest here.

The next item of interest is not so much a review as Jonathan being a nice guy. He played in August for Creativity Explored, a group brings art to the developmentally disabled. I stole the picture from their website. you can see their storylet here.
And finally, Jonathan at the Make-out room, in video form. Pretty decent, if you can ignore the fact that the camera is on it's side. The first song is a newbie, which I am tentatively called "Stultified". And then stay tuned for Jonathan's patented dance moves! Every time I see a video from Make-Out room shows, I wish I lived in San Francisco.